tag:blogger.com,1999:blog-2902664926603152057.post4635974399444548166..comments2024-03-25T07:23:11.943-07:00Comments on आपला सिनेमास्कोप: `धोबी घाट`- बाहेरच्यांची मुंबईसिनेमा पॅरेडेसोhttp://www.blogger.com/profile/06913919986467919049noreply@blogger.comBlogger11125tag:blogger.com,1999:blog-2902664926603152057.post-59152784962281549852011-02-24T21:52:27.346-08:002011-02-24T21:52:27.346-08:00@ anushree, his watching tapes slowly is absolutel...@ anushree, his watching tapes slowly is absolutely necessary for the relationship to develop. by relationship , i obviously mean his getting engrossed in all aspects of the girl in the video. problem is the so called twist ending . its actually a catch 22 situation. if he doesnt get interested , the end of the tape wont affect him,and if he gets involved, he will see the tapes all at ones, and the timeline has a problem.ganeshhttps://www.blogger.com/profile/00221156321730879911noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-30311486722018942722011-02-22T09:05:50.015-08:002011-02-22T09:05:50.015-08:00"चित्रपटात दिसतं, की किमान महिनाभर अन् कदाचित..."चित्रपटात दिसतं, की किमान महिनाभर अन् कदाचित त्याहूनही अधित काळ त्याने घरी या टेप्सबरोबर काढला. पण त्याने टेप्स केवळ तुकड्या-तुकड्यात अन् अंतराअंतराने पाहिल्या. तसं झालं नाही, तर अरूणला चित्रपटाच्या अखेर बसणारा धक्का बसणार नाही. मात्र जवळजवळ व्यसनी माणसाप्रमाणे टेप्सच्या अधीन झालेला अरूण या टेप्स तुकड्यामध्ये पाहील अन् शेवट पाहायला महिनाभर काढेल हे संभवत नाही. टेप्स केवळ तीन आहेत. अरूणने जर सकाळपासून रात्रीपर्यंत सलग बसून त्या पाहून टाकल्या, तर चित्रपटाच्या टाईमलाईनची वाट लागते. तिला मुद्दाच उरत नाही."<br /><br /><br />हे लक्षातच नाही आलं माझ्या...<br />:o<br />आता परत पहावा लागणार...Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-13804171232797897892011-02-15T00:39:45.741-08:002011-02-15T00:39:45.741-08:00@ganesh
his watching tapes slowly did not bother...@ganesh <br /><br />his watching tapes slowly did not bother me much..and it is necessary to keep the tracks parallel..<br />pan overall impactful nahi vatala..like ravan, it was just a visual treat..jyanna paaus ani mumbai hi don patra awadtaat tyanchyasathi..<br />ata lake house baghayla hava..<br />ani 127 hours !Anushree Vartak. अनुश्री वर्तकhttps://www.blogger.com/profile/05075162856489988704noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-67858104024438022782011-02-02T10:47:20.884-08:002011-02-02T10:47:20.884-08:00i dont think there is any doubt that arun watches ...i dont think there is any doubt that arun watches the tapes slowly. because 1. the entire munna ,shay relationship develops inbetween.end of aruns story corresponds with end of munnas story too. that they are parallel is confirmed by crossovers of shay in both stories.2. the shock of death is felt more because he is almost in a platonic relationship with the girl. in one day ,he wont be involved so much. 3. we see how he first sees the tapes,then kittu gidwanis comment suggests infatuation, then he starts working on sketches, shay observes his work from the building across, shay comments on hs changing mood, he tells someone mostly kittu gidwani on the phone about the work,we see at least one painting ready. so is not at a stretch.<br />and i will accept that he will keep seeing them again and again,but the first viewing has to be entire. not in bits.<br />i agree with your other points.ganeshhttps://www.blogger.com/profile/00221156321730879911noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-50397131924420977962011-02-02T08:31:31.489-08:002011-02-02T08:31:31.489-08:00I liked the film and ur blog too.but i don't c...I liked the film and ur blog too.but i don't completely agree with ur point related to Arun watching tapes slowly and not at stretch.though u have a point. but....Arun seems to be slowly imbibing Yasmin's world.he tries to see things from her perspective and also as seen in the frames of the tapes with Yasmin in it....sketches simple things seen through her eyes.hence the long time taken to see tapes.<br /> one thing I felt was bit weak is Munna's-Prateek's language. though the character is well written and executed by the actor his language seems too sofisticated.when he has specific past geographical location,religion economic status and specific present residential area and specifisc age he seems to have lost the लहेजा of his own language too quickly.Yet its not influenced by the people he hangs out with.as compared to others I found this casting also bit inappropriate. though it fits in with munna's ambition to be an actor.sushamahttps://www.blogger.com/profile/01969640630988351553noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-3895167367787091542011-02-02T03:02:01.687-08:002011-02-02T03:02:01.687-08:00thanks neeteen. prasad , mala to munnacha karaycha...thanks neeteen. prasad , mala to munnacha karaycha hota asa watat nahi. the strength of the film is aruns story, its been tried in other films and they know it works .though actually it has nothing to do with mumbai. they wanted to portray it as a progressive film (which ,to an extent ,it is) but they also didnt want fans of khan to expect something more commercial.. so they underplayed his presence since the beginning.ganeshhttps://www.blogger.com/profile/00221156321730879911noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-64867369699595615322011-02-02T00:16:05.540-08:002011-02-02T00:16:05.540-08:00छान लिहिलं आहेस गणेश. आवडलं.कदाचित कथेवर काम करतान...छान लिहिलं आहेस गणेश. आवडलं.कदाचित कथेवर काम करताना दिग्दर्शिकेला चित्रपट मुन्नाचा करायचा असेल पण पात्रनिवड होऊन चित्रिकरण आणि संकलनानंतर तो अरूणचा झाला असावा...चित्रपट क्षेत्रात काहीतरी वेगळं करू इच्छिणा-या भविष्यातल्या दिग्दर्शकांना धोबीघाट बघून थोडीशी अधिक हिंमत आली असावी असं मला वाटतं...prasad namjoshihttps://www.blogger.com/profile/01016563699207960938noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-25054156382718497762011-02-01T09:18:58.209-08:002011-02-01T09:18:58.209-08:00far chan .. mala eikayala kamee yet asalene tar le...far chan .. mala eikayala kamee yet asalene tar lekh far mahatvacha vatala..aata cinema janivechya pataleevar pahu shaken..thanks..Unknownhttps://www.blogger.com/profile/12336706141709173787noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-80146233951098350062011-02-01T06:47:26.602-08:002011-02-01T06:47:26.602-08:00Thanks anushree, zampyaThanks anushree, zampyaganeshhttps://www.blogger.com/profile/00221156321730879911noreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-76223646697271470042011-01-31T00:32:01.321-08:002011-01-31T00:32:01.321-08:00इतका चांगला ब्लॉग आज प्रथमच वाचण्यात आला याबद्दल आ...इतका चांगला ब्लॉग आज प्रथमच वाचण्यात आला याबद्दल आनंद आणि खेद दोन्ही वाटत आहे...आनंद यासाठी की चित्रपटविषयक इतके व्यवस्थीत विश्लेषण वाचायला मिळणे ही आमची एक गरज आहे तर खेद यासाठी की आम्ही यापासून इतके दिवस वंचित राहिलो म्हणून...असो <br /><br />सुभे का भूला का काय ते वगैरे वगैरे....<br /><br />धोबी घाटाला चांगलाच धुतलाय तुम्ही (चांगल्या अर्थाने) तुमच्यामुळे पुन्हा एकदा हा चित्रपट पाहायची इच्छा झाली...यातच सर्व काय ते समजा.... :)Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2902664926603152057.post-56635130417882997862011-01-30T22:33:25.969-08:002011-01-30T22:33:25.969-08:00thanks re..this one was much awaited...thanks re..this one was much awaited...Anushree Vartak. अनुश्री वर्तकhttps://www.blogger.com/profile/05075162856489988704noreply@blogger.com